Abstract :
India is a combination of multiple worlds. At a time it lives in many centuries and cultures. The world of Indias crafts persons spans millennia and spreads across the length and breadth of our rich land, which is apparently observed in cities, towns and in beautiful villages. India opened her market to the multinationals during the era of economic reforms, bringing an end to the license Raj. Now world boundaries are eroding paving way to economic investment across the world, in which developed nation are penetrating and leading in underdeveloped market of third world. If we talk about Indian Artisans and their products handicrafts which are integral part of our society are in demand in Western consumers Jena, 2010b . Good upper class of textile handicraft goods is possession. Creation total beauty is the origin of many of the environmental difficulty we are facing. Sustainable production, like traditional textiles created using traditional techniques and dyed with natural color, have no major outcome. If it does not affect the quality of the product, cultural goods retail contributes to the overall development of economic system. The loss of our senior craftsmen, the migration of new generations to urban areas, the manufacture of industrial competitive goods and the universal ignorance of spiritual culture are few problems that the traditional textile art is facing. Trade peoples needful resources, quality raw materials and marketplace for their production. Business evolution is a important part in handicraft development but is frequently conditioned by critical concept. Traditional textiles are in need of a optical identity. Workshop centers, season schools, free training and approach to markets and sales outlet are some of the contemporary ideas for sustainable and smart development. Through with further research of intelligent clothing on art aesthetic, scientific aesthetic and technical aesthetic. With the assist of the artistic creation of science and technology, the study attempt to make up for the deficiencies in academic ground for fashion design, and puts progressive the design inspiration. While modification programmed regarding handicrafts have been favoured by the state and non governmental organization as low cost, low risk participation, their value is compromised by the continuity of consumptive forms of manufacture.International view the young people proceed to be specially affected by the weak and uneven improvement after the recession which is reflected in several International Business Trend reports of International Labor Organization with the juvenile unemployment reaching13.1 . From national and topical development view in India young employability goes on representation the attraction of government and policy makers which could be very much awareness from the initiatives undertaken in that way. Dr. Ashis Kumar Pradhan "Innovation of Traditional Textile Art and Crafts in North East-India" Published in International Journal of Trend in Scientific Research and Development (ijtsrd), ISSN: 2456-6470, Volume-3 | Issue-4 , June 2019, URL: https://www.ijtsrd.com/papers/ijtsrd25100.pdf Paper URL: https://www.ijtsrd.com/humanities-and-the-arts/other/25100/innovation-of-traditional-textile-art-and-crafts-in-north-east-india/dr-ashis-kumar-pradhan
Keyword :
Visual Art, Handicraft, Textiles Design, Cultural heritage, Natural fiber crafts